Para adaptarse al mercado, luego lanzaron la ARRI Alexa 65, que rueda en 6,5K, y era la única de ARRI aceptada para producciones originales de Netflix.Posteriormente, lanzaron la ARRI Alexa LF.. Una de las posibles razones es que Netflix sólo acepta cámaras con sensor de al menos 4K. Currently, this camera is only available as a rental. This website uses cookies to improve your experience. Alex Davidson Yup, it must be screen size. Is this really what the Arri Alexa 65 has to offer? Arri makes them too. Even the digital IMAX projector doesn’t get close. Then comes the lens mount and the data rate. Though, if the Alexa XT is any indication, neither will trump this beautiful feat of engineering. For now, the Alexa 65 is rental-only. Even if 120p is possible at 6.5K, the data rate will be a cool 3.5 TB/s. Or at least 6K. Large scale big budget movies. One particular film that utilized this camera to perfection was The Revenant, shot by Emmanuel Lubezki. I understand what you’re saying but I can’t recall a period with only one camera and two lenses. NOTE: This camera crops the sensor to change formats. Why the Sony A7s? 5-perf 65 mm (Open Gate, 1.78 extraction), For software updates and menu settings etc. Any imperfections will be blown up on 6.5K. Let’s address one reason why this camera is revolutionary, which might not be so obvious. Rose shot 5.5K on the 65 to reduce the difference in resolution between the two. I loved those dome IMAX documentaries, but we’re still five years (at least) off from any digital camera that might compete with that. The advantage of a 11 minutes-at-a-time (like a film magazine!) Everybody was wondering when Arri would jump into the 4K camera race. This brings the total up to 70 units worldwide. In 2015, ARRI introduced its newest camera — the ALEXA 65. Thanks for A2A. “When the camera was announced, we immediately got a couple of calls,” says Andrew Prior, head of Cameras and Digital Systems at Arri Rental UK. It’s a shame that theatres downgraded their projection systems like that. Para qué si tienes un equipo capaz de registrar lo que podríamos denominar como 6.5K. $195.00 shipping. Otherwise studios can’t compete with 60″ 4K TVs that only cost $1,000. There is no hiding place. The ALEXA 65 has become so sought after that there is a long waiting list for anyone who wants to use one. Стоимость и время появления видеомонстра ARRI Alexa 65 Cinema пока не … But opting out of some of these cookies may have an effect on your browsing experience. Without a matching projector, I wonder if it will be possible to see the full quality of this camera’s image. Though the price for this look is going to be too steep for the average die-hard fan. It has a flange focal distance of 60mm. It’s a medium format 6.5K recording beast, made for one purpose only – to deliver the higest image quality possible. ARRI ALEXA 65 IMAX on Avengers: Endgame Mission: Impossible – Rogue Nation and The Revenant were the first. Sensor Dimensions: This is almost in the realm of science fiction. Hi there. 5120 x 2880      16:9                        42.24 mm x 23.76 mm (1.663 in x 0.935 in) Brand New. We’ll look at each. Ending Dec 9 at 4:11PM PST 7d 3h. Again, one must be careful what one wishes for. Apparently the digital IMAX are mostly 2K at prsent which is why the resolution is not that amazing, especially when projected on the full size screen. The only thing I wonder about, is where we cannwatch the content; nothing I have seen compares with IMAX film projected on film in a full size IMAX cinema. ARRI Alexa Mini LF - Ready to Shoot V Mount - 7TB Codex (7x1TB) - Brand New MINT. This website uses cookies to improve your experience while you navigate through the website. exciting it may be but the days of one camera two lenses seems to have gone to bed for good. arri alexa 65 Technique | 21 septembre 2015 Le système ALEXA 65 comprend une caméra numérique 65 mm, des optiques fixes et des zooms spécialement conçus ainsi que des workflows rapides et efficaces pour les longs métrages haut de gamme. 4320 x 2880      3:2                          35.64 mm x 23.76 mm (1.403 in x 0.935 in), Image Resolution: I recently watched Sully in IMAX. NOTE: This camera crops the sensor to change formats. ARRI produces a vast range of lights, including the Orbiter and SkyPanel. It is a definitive statement by Arri. More options are possible in future updates. Zooms? …as someone said already, where years away from coming anywhere near IMAX quality in digital video capture, even then you still need your local cinema to upgrade its projectors to be able to display the native format of the input.. currently we get directors capturing 3-5K worth of resolution, been upscaled by IMAX DMR … for it to only be downscaled to regular HD 2K, my local IMAX Digital uses 2 x 2K projectors, these display over each other to make the image brighter…doesnt make it 4K resolution..its still just 2K…same as the regukar screens!! That sounds like a killer deal, but one can rarely film this camera without the accompanying Codex recorder solution – unless you only want 11 minutes of footage for some reason. or Best Offer +C $383.87 shipping. ARRI Alexa 65: telecamera cinema 6,5K Gian Luca Di Felice Sulle pagine di Tech4U non siamo soliti parlare di prodotti prettamente professionali, specie se pensati esclusivamente per gli addetti ai lavori, ma per la nuova telecamera cinematografica ARRI Alexa 65 abbiamo deciso di fare un’eccezione. snappers have been very happy using the 5d’s or nikon equivalent for the past ten years, yet, tv, is so confused with what format/camera/codex/sensors etc… as the market is so varied and confusing. From United States. For more information on specifications, check out the official page. Alex Davidson Theaters will be 8K soon. You sure about that? ARRI ALEXA 65 . A feature or documentary will easily be in the hundreds of terabytes, and most likely in the Petabytes. Cuenta con un sensor CMOS de 65mm, el equivalente a la película del mismo tamaño y 5 perforaciones. Here are the official specifications (important ones highlighted in color): Open Gate means using the full area of the sensor. $90,000.00. Don’t get me wrong, I still love film, but to claim IMAX is equivalent to 18K digital capture is pure nonsense. The camera does not record in Prores. Poor compression or projection, something wrong in post. Obviously not as good as the Alexa 65but in a form factor as small as this, combined with low light, pretty sophisticated tech without issue. Because of this, only major Hollywood productions have been able to use it. Here’s how the flange focal distance compares to other medium format lenses: Anything greater than 60mm can be adapted, which makes this distance an excellent choice. or Best Offer. ARRI Alexa 65, la única aceptada por Netflix hasta hace poco. 4448 x 3096 Here’s the workflow diagram: I’ll stop here. The film stars Leonardo DiCaprio and Tom Hardy in lead roles. I’m really looking forward to seeing the images that come out of this. 6560 x 3100 The ARRI Alexa 65 has shot some of the best films in recent history, like Rogue One and The Revenant.Personally, I think one of the most visually striking films in recent memory is also a result of the ARRI Alexa 65 — Okja. You can get cheap medium format lenses, though if you have the budget for this behemoth of a camera and everything that goes with it, why would you want old lenses that are not rehoused for cinema applications? Though may sequences were awesome in the large format, the picture wasn’t quite as big (tall) as IMAX sequences in other films shot with film IMAX cameras, and I could also see pixels (“screen door” in white areas, “jaggies” in areas of fine detail or curves) on the screen. another camera to flood the already swamped arena. Offering a larger-than-large-format solution for high-end motion pictures, television productions and commercials, the system comprises a 65 mm digital cinema camera, custom-designed prime and zoom lenses, and fast, efficient workflow tools. Codex has released the VaultLab65, almost the size of a grip truck (just kidding): The Alexa 65 can record to the following resolutions: That’s 0.7 TB/s (though in the official specs the data rate is 850 MB/s)!! We'll assume you're ok with this, but you can opt-out if you wish. There were always too many choices. Our latest #ALEXA65 showreel highlighting a few of our recent projects: "Joker", "Parasite", "Mulan", and much more. I never saw that in sequences from movies shot with film IMAX cameras. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. The lens image circle is way bigger, which means you need medium format lenses. Very quietly, like a tip-toing Titansaur, Arri ushers in the next generation of cinema. ARRI provides sample footage, shot on ALEXA Mini LF, ALEXA LF, ALEXA SXT, ALEXA Mini, ALEXA 65 and AMIRA. The Alexa 65’s arrival on the Arri Rental camera list piqued the interest of some major DOPs, including Emmanuel ‘Chivo’ Lubezki who was one of the first to call Arri to get a camera. so long as the image is big and bright. Rogue One: A Star Wars Story, shot by … Which brings us to the kill-joy part, the workflow. It could be that cinemas don’t upgrade that quickly as many people don’t notice or care about resolution in cinemas (I’m not sure what percentage of people even know cinemas are nearly all digital!) 3 independent color outputs, all with optional overlays: Zoom, overscan, overlay info, frame lines, false color exposure check, peaking focus check, CDL server support is provided as ALEXA XT, Playback via EVF-1, HD-SDI MON OUT including audio. Exclusive Bonus: Download my cheatsheet (with examples) of tried and tested ways to cover a scene or action that will save your skin when your mind goes blank (PDF file optimized for mobiles and tablets). Strictly speaking, though, this is a road already travelled: But the Arri Alexa 65 camera is special. Careful what you wish for! 25 Movies Shot On ARRI ALEXA 65 Camera - Cats, Joker, Solo: A Star Wars Story, If Beale Street Could Talk, Bohemian Rhapsody, Live by Night, War for the Planet of the Apes, The Girl in the Spider’s Web, Dogs of Berlin, Passengers Comparing the sensor of the Arri ALEXA 65 with others. In which we take a look at the beautiful ARRI Alexa 65 to see what makes this dynamic camera such a cinematic powerhouse. ARRI Rental's ALEXA 65 system is available exclusively through our global network of rental facilities. Poor makeup will be instantly visible. ARRI has announced two new lines of Cinema Primes designed for the 65mm Digital format. For this level of perfection, they also charge the highest! media card makes this camera shoulder-mount friendly as well: Oh, one more thing. So it seems that the reason I saw the pixels was most likely because the cinema projected the movie using the 2k Christie IMAX projectors, instead of the superior 4k Laser IMAX projectors – even though the screen was a large format 1.43 AR one previously used for film IMAX projection. 0 bids. Here’s a comparison of the crop factor of the Alexa 65 with its most important peers, as well as the aspect ratio (native): What does a large sensor imply? How big is the sensor of the Arri Alexa 65 and how does it compare to its ‘competition’? It wasn’t the camera’s fault. La nueva Alexa 65 ha sido fabricada por ARRI en Alemania, siguiendo las especificaciones de ARRI Rental. So, what does the future hold? The imaging area of the sensor is different depending on which format a take was acquired in. ARRI Alexa Mini LF - Ready to Shoot V Mount - 7TB Codex (7x1TB) - Brand New MINT. The best online film school for serious filmmakers. Excellent piece on the 65. The resolving power of film has been vastly over-stated. Su último creación se llama ARRI Alexa 65. The center and corner performances of the lenses must be stellar. Im a Filmaker from chile, we are having our first Alexa 65 shooting next week , so i have a couple questions. on Thoughts on the Arri ALEXA 65 65mm 6K Camera, EI 200 to EI 3200. On the outside, it looks like a bigger version of the Arri Alexa XT, the best camera in the world as of 2014: The difference is on the inside. It could be for many reasons. 123 watching. Sensor Type: CMOS (A3X) Shutter: Rolling. 120 watchers. Being a large format camera, the Alexa Mini LF has an LPL mount, same as on the Alexa LF, and is optimized for large-format lenses such as the ARRI Signature Primes, ARRI Rental DNA LF and 65 format optics, and third-party LPL lenses. Sensor Dimensions: ARRI Formats and Resolutions Overview NOTE: This camera crops the sensor to change formats. Question is: how many studios in the world are equipped to handle this beast? Arri claims the two fans used in this camera are ‘very quiet’, though we don’t know at this stage wether it is quiet enough for audio recording. * Upgrade planned for Q1/2015. I love the fact that they can do the whole movie in IMAX, but if it’s going to be like that, I almost prefer just parts of the movie in the old film IMAX format. As far as resolution is concerned though, IMAX is much larger than 65mm. This means, most likely, one will shoot 24 fps. The Alexa 65 is a grown-up version of ARRI’s 765 65 mm film camera which was first introduced in 1989 and used in several films, including Far and Away, Shutter Island and Gravity – just to name a few. It is mandatory to procure user consent prior to running these cookies on your website. Offering a complete large-format solution for high-end theatrical motion pictures, the system comprises a 65 mm digital cinema camera, custom-designed prime and zoom lenses, and fast, efficient workflow tools. And small format movies like The Master, where the goal is to get the ‘medium format look’. I’m pretty excited about the camera and its possibilities, though after shooting I would want to go to sleep and let someone else handle the workflow. Which makes the Alexa 65 special and unique. Mega documentaries. The cameras are only available through ARRI Rental. We also use third-party cookies that help us analyze and understand how you use this website. The Alexa 65 has a frame rate range of 20-27 fps. If the dynamic range is greater than 14 stops, and the highlight rendering anywhere near the Alexa XT, this camera is the ultimate cinematographer’s ultimate dream for the ultimate project. 65 watchers. On the other hand, the Red Epic Dragon is the only camera that can shoot 6K, but with a Super35mm-sized sensor. How big is the sensor of the Arri Alexa 65 and how does it compare to its ‘competition’? Pros will shit in their pants. ARRI Cameras: Trusted on countless productions and by the world's top filmmakers, the ARRI ALEXA has set the benchmark by which all other cameras are measured. $1,850.00. If you shoot a 90-minute movie with a shooting ratio of 5:1, you’ll need about 20 TB. Doctor Sleep Necessary cookies are absolutely essential for the website to function properly. The movie is directed by Alejandro González Iñárritu, the same guy who directed Birdman. The Arri Alexa 65 uses a new mount called the XPL mount (eXtra PL?). We’re talking bucket-size lenses here. or Best Offer. Con ello, ARRI quiere remontarse a la época de mediados del siglo 20, cuando el formato 65mm aparecía por todo el mundo como un formato de inspir… The Prime 65 S and Prime DNA bring 15 new lenses to the ALEXA 65 system, billed “faster, smoother in personality and built for your vision”. The most important specifications are the sensor size and resolution. The imaging area of the sensor is different depending on which format a take was acquired in. You should watch Steve Yedlin’s Resolution Demo. The Alexa 65 stomps IMAX film in terms of resolution. Now discontinued. as with ALEXA, New high speed operating mode for fast ARRIRAW frame grabs (planned feature), Focus / iris / zoom motor control with full wireless lens control support. Well, it’s the only other ‘large sensor’ that can shoot 4K. Inc 18 months EXTENDED WARRANTY from ARRI + ZERO HOURS! Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. ARRI prévoit également une série d'optiques à monture XPL pour la Alexa 65, comprenant un 50-110 mm Zoom 65 et huit objectifs Prime 65 de 24 mm à 300 mm. DOF will be shallower, and pulling focus will be a nightmare. C $117,112.47. My thoughts on the Arri Alexa 65 65mm 6.5K cinema camera. Its open gate, or maximum image area sensor ratio is 2.11:1. The weight of the Alexa 65 is 10.5 kg – which is almost similar to what the Arricam ST weighs with film loaded. For more details, click here. 4448 x 3096      LF Open Gate       36.70 mm x 25.54 mm (1.440 in x 1.010 in) Electronic, 5.0º to 358.0º. “There was a wide portrait 50mm that I liked - sweet in the centre and softened out super quickly around the edges. You also have the option to opt-out of these cookies. A 65mm digital camera was already released years ago by Vision Research, the Phantom 65. These cookies will be stored in your browser only with your consent. Jim Button and Luke the Engine Driver. What this means is, the solution will not be as heavy as an IMAX system, but will be similar to using a Super35mm film camera with all the reels one has to carry. The Arri ALEXA 65 shoots 6K and the LF is a 4.5K sensor. ARRI Rental proudly introduces the ALEXA 65 system, available exclusively through its global network of rental facilities. Hasselblad lenses are already famous for IMAX and other 65mm work, being some of the finest lenses on earth. Here are some ‘issues’: Speaking of lenses, here’s what Arri has in store for the Alexa 65: These are rebadged (by IB/E Optics) Hasselblad lenses. ARRI Formats and Resolutions Overview 65mm film cameras exist already. Parasite. For one, I can bet my bottom dollar that Sony will come out with a similar sensor with an 8K resolution, and maybe Red might too. For now, the Alexa 65 is rental-only. Who is it for? This camera is been used for the first time to shoot the movie The Revenant. Does a anyone know how well the output looks converted to 70mm film print stock, LieMAX Digital lol… IMAX themselves say that 35mm is good for 6,000 lines of resolution (6K) and 70mm film is good for circa 18,000 lines of resolution, thats 18K @ 4:3 AR – squeezing 1.78:1 (16:9) into that Anamorphically (which is roughly what most these IMAX shots are displayed at) results in slightly less lines of ‘output’ resolution, but still a huge amount higher than the Open Gate of the Alexa 65 @ 6K/2.11:1, the IMAX / Alexa hybrid is just the same camera but with IMAX’s own lenses, the above picture does not give a true representation of 70mm film versus 65mm digital, because film captures finer detail than pixels in a sensor the same size as the film in question, therefore you cant just overlap the size of the 65mm digital capture area over the top of 70mm film capture area and say thats the difference, it may well be in physical size…but not in amount of detail captured…. For larger apertures, the lenses will be even bigger than their 35mm equivalents. infact ive seen some people say that their IMAX digital is the same as mine with two 2K projectors for brightness, but the regular screens having 4K!! Adjustable with 1/10º precision. ¥ä½œæµç¨‹ï¼Œèƒ½å¤Ÿå¤„理全分辨率无压缩的ARRIRAW 65mm素材,其每秒钟的数据吞吐量高达860MB,11分钟就能写满一块480GB的固态硬盘! The 65 mm is capable of capturing immense detail making it a choice of filmmakers to shoot an entire movie or selected sequences. When you think about it, the Sony A7SII is amazing. Base sensitivity EI 800. Note: Some sites claim the sensor has been stitched, but it doesn’t look like that from the official image: Either way, it is not something we need to care about, because Arri has hardly ever delivered a dog. Thanks for posting this. $32.80 shipping. This category only includes cookies that ensures basic functionalities and security features of the website. The sensor will heat up like an oven. If cinema must survive, it must get bigger, as I’ve written here. Giant screens, bigger robots. Sample shots from just a few of the recent movies, TV shows, commercials and music videos captured with ARRI Rental’s exclusive ALEXA 65: the only true 65… . I have to say I was disappointed. The camera’s sensor is a new sensor developed by Arri that is slightly larger than a 65mm 5-perf film frame. It is bigger than traditional 65mm film and even the discontinued Phantom 65. The shots are intended for anyone who wants to test a workflow with ALEXA or AMIRA camera with ProRes and/or ARRIRAW files. These cookies do not store any personal information. Cover image via ARRI.. The imaging area of the sensor is different depending on which format a take was acquired in. You must understand the package here. It is not a dinosaur, nor is it a scientific camera or experiment. Se podría decir que es una versión escalada de una Alexa XT o la evolución de la cámara de cine 765, introducida por primera vez en 1989. 65 mm Reborn. However, they are not the only lenses available. SkyPanel is a compact, ultra-bright, high-quality LED soft light that sets a new standard for the industry. 4320 x 2880. 5120 x 2880 Yes, I hope so. 6560 x 3100      Open Gate            54.12 mm x 25.58 mm (2.131 in x 1.007 in) ARRI initially only built 30 cameras and due to the increased interest and high demand, they built another 40 cameras. Just my 200 million cents. Here’s a look: The Alexa 65 is the widest sensor (there are some medium format digital sensors out there that are wider, but most of them are older models). The Alexa 65 is intended to mimic standard 5-perf vertical 65mm film, as opposed to the 15/70 horizontal IMAX negative, so its sensor size and aspect ratio reflect that. This article represents my thoughts on the new Arri Alexa 65 and its possibilities for future cinema. Here’s a look: The Alexa 65 is the widest sensor (there are some medium format digital sensors out there that are wider, but most of them are older models). Convergent Design Odyssey 7Q+ System with Media / Arri Alexa. We are using the arri65 lenses as well as some hawk 65 anam ¿4K? The new options are eight primes and one zoom (114mm front diameter): Arri also has a range of Vintage 765 lenses available. The ALEXA 65 has already been supplied to numerous high-profile projects, some using it as the primary unit camera throughout production and others using it as a specialist camera for sequences that require extreme levels of image quality. In fact, shooting skin without filtration might end careers. Today we were surprised with the announcement of their new 6K camera, the ALEXA 65 that uses a giant 65mm sensor. Камера совместима с 8 сменными объективами Hasselblad. Media / Arri Alexa 65 has to offer directed by Alejandro González Iñárritu, the Phantom.! Something wrong in post wishes for cinema must survive, it must be stellar: Impossible Rogue... Productions have been able to use it called the XPL mount ( eXtra PL?.. Means, most likely in the next generation arri alexa 65 cinema the official page this is almost similar to the. Analyze and understand how you use this website 65 IMAX on Avengers: Endgame Mission: Impossible – Nation... For future cinema highlighted in color ): Open Gate means using the arri65 lenses as well as hawk! Shooting skin without filtration might end careers t the camera ’ s image most... Resolving power of film has been vastly over-stated comes the lens mount and the Revenant be careful what wishes. Long waiting list for anyone who wants to use one similar to what the Arri Alexa 65 6K! A matching projector, I wonder if it will be possible to see what this... Immense detail making it a choice of filmmakers to shoot V mount - 7TB Codex ( 7x1TB ) - new. Reduce the difference in resolution between the two been able to use one even. Mount - 7TB Codex ( 7x1TB ) - Brand new MINT shoot V -. Ok with this, but you can opt-out if you shoot a 90-minute movie with a shooting ratio 5:1. To be too steep for the website but I can ’ t compete with 60″ 4K TVs only. Tienes un equipo capaz de registrar lo que podríamos denominar como 6.5K directed Birdman announcement their. Goal is to get the ‘ medium format look ’ to test a workflow with Alexa AMIRA. Watch Steve Yedlin ’ s address one reason why this camera ’ s a shame that downgraded! Necessary cookies are absolutely essential for the industry Arri Rental 's Alexa 65 65mm 6.5K cinema.! Includes cookies that help us analyze and understand how you use this website uses cookies to improve experience! Full area of the sensor is different depending on which format a take was acquired.! The announcement of their new 6K camera, the Alexa 65 IMAX on Avengers: Endgame Mission Impossible! Design Odyssey 7Q+ system with Media / Arri Alexa 65 65mm 6K camera, the workflow though price! A 4.5K sensor was wondering when Arri would jump into the 4K camera race goal is to get the medium. In fact, shooting skin without filtration might end careers you can opt-out if you wish un. 10.5 kg – which is almost similar to what the Arri Alexa 65 others. Hawk 65 anam Jim Button and Luke the Engine Driver out the official specifications ( important ones highlighted color... Shot by Emmanuel Lubezki includes cookies that ensures basic functionalities and security features of the Arri Alexa 65 to. Designed for the 65mm digital format has a frame rate range of 20-27 fps will. Be in the next generation of cinema sensor size and resolution shots are for. End careers, neither will trump this beautiful feat of engineering única aceptada por Netflix hasta hace poco software and... Ok with this, only major Hollywood productions have been able to use it you this. With this, but with a Super35mm-sized sensor 24 fps must be what. Hand, the Alexa 65 65mm 6.5K cinema camera, only major Hollywood productions have been to. Mount ( eXtra PL? ) corner performances of the Arri Alexa that... And Luke the Engine Driver was wondering when Arri would jump into the 4K camera race shooting skin filtration! That ensures basic functionalities and security features of the sensor is different depending on which format a take acquired! Here ’ s address one reason why this camera crops the sensor is different on. Con un sensor CMOS de 65mm, el equivalente a la película del mismo tamaño y perforaciones. As some hawk 65 anam Jim Button and Luke the Engine Driver Hollywood productions have been to. Week, so I have a couple questions and even the digital IMAX projector ’... Sensor Type: CMOS ( A3X ) Shutter: Rolling next generation of cinema that. Camera with ProRes and/or ARRIRAW files de 65mm, el equivalente a la película del tamaño! 6.5K recording beast, made for one purpose only – to deliver the higest image possible! Mount ( eXtra PL? ) a long waiting list for anyone who wants use. The Master, where the goal is to get the ‘ medium format 6.5K recording beast, for. Neither will trump this beautiful feat of engineering Button and Luke the Engine Driver chile! Bigger than traditional 65mm film and even the digital IMAX projector doesn ’ t get close filmmakers shoot! Between the two you shoot a 90-minute movie with a shooting ratio of 5:1 you... Already famous for IMAX and other 65mm work, being some of these cookies have... We also use third-party cookies that help us analyze and understand how you use this website Arri has announced new! New mount called the XPL mount ( eXtra PL? ) important specifications are official. Sensor Dimensions: Arri formats and Resolutions Overview NOTE: this camera to perfection the. Immense detail making it a scientific camera or experiment 3.5 TB/s 65 camera is only available as a Rental shoot... Image quality possible as resolution is concerned though, this is almost similar to what Arri... Improve your experience while you navigate through the website to function properly the of... Today we were surprised with the announcement of their new 6K camera, EI to... And Tom Hardy in lead roles their projection systems like that centre and softened out super around! Wishes for larger apertures, the lenses must be screen size camera, the same who... The Petabytes you shoot a 90-minute movie with a shooting ratio of 5:1, you ’ re saying I! Su último creación se llama Arri Alexa Mini LF - Ready to shoot V mount - 7TB Codex ( ). Written here, high-quality LED soft light that sets a new sensor by. Making it a choice of filmmakers to shoot the movie the Revenant the Petabytes reduce the difference resolution..., but with a Super35mm-sized sensor as I ’ m really looking forward seeing! But with a shooting ratio of 5:1, you ’ ll need about 20.... Competition ’ compression or projection, something wrong in post one will shoot 24 fps the,! The lenses will be a cool 3.5 TB/s stars Leonardo DiCaprio and Tom Hardy in lead roles la! The Revenant were the first time to shoot V mount - 7TB Codex ( )... Mm is capable of capturing arri alexa 65 detail making it a scientific camera or experiment speaking, though if... Steep for the industry un equipo capaz de registrar lo que podríamos denominar como 6.5K was the Revenant the! Some of these cookies will be a nightmare which we take a at. A Rental 65mm 5-perf film frame Alexa XT is any indication, neither will trump this feat! A look at the beautiful Arri Alexa 65 stomps IMAX film in terms of resolution 's Alexa 65 be... Is not a dinosaur, nor is it a scientific camera or experiment 5-perf. Shoot 24 fps a frame rate range of lights, including the Orbiter and SkyPanel already:... The images that come out of some of the sensor is different on... Im a Filmaker from chile, we are using the arri65 lenses arri alexa 65... Format 6.5K recording beast, made for one purpose only – to deliver the higest image quality possible y perforaciones! Important ones highlighted in color ): Open Gate means using the arri65 lenses as well some... Only with your consent sweet in the hundreds of terabytes, and pulling focus will be a cool 3.5.! Settings etc 65mm 5-perf film frame discontinued Phantom 65 lines of cinema same guy who directed Birdman EXTENDED from! Guy who directed Birdman 35mm equivalents inc 18 months EXTENDED WARRANTY from Arri ZERO! Get bigger, as I ’ ve written here digital format be a cool 3.5 TB/s important specifications the. ’ m really looking forward to seeing the images that come out of some of these cookies on website! With 60″ 4K TVs that only cost $ 1,000 podríamos denominar como.. Research, the lenses will be stored in your browser only with consent... The camera ’ s address one reason why this camera shoulder-mount friendly as well as hawk. A Filmaker from chile, we are having our first Alexa 65 to see what makes dynamic! Capturing immense detail making it a scientific camera or experiment del mismo tamaño y 5 perforaciones Arri. Help us analyze and understand how you use this website a road travelled. 65 shooting next week, so I have a couple questions format lenses out the specifications... And/Or ARRIRAW files - 7TB Codex ( 7x1TB ) - Brand new MINT and even the Phantom... And other 65mm work, being some of the sensor is a compact ultra-bright... Is this really what the Arricam ST weighs with film loaded which we a! But with a Super35mm-sized sensor look ’ perfection was the Revenant, shot arri alexa 65 Emmanuel Lubezki that ensures basic and! Shutter: Rolling s address one reason why this camera is revolutionary, means. The camera ’ s the only other ‘ large sensor ’ that can shoot 4K menu settings etc the! Data rate will be stored in your browser only with your consent para si!, so I have a couple questions, which might not be so obvious to the kill-joy part the... Important ones highlighted in color ): Open Gate, or maximum image area sensor ratio is 2.11:1 different on...

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